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  • Fazıl Say - SES

    Duration: 4:55 - FileType: mp3 - Bitrate: 192 Kbps


    Fazıl Say - SES

    Composing is always a form of improvisation: with ideas, with musical particles, with imaginary shapes. And it is in this sense that the artistic itinerary and the world-view of the Turkish composer and pianist Fazıl Say should be understood. For it was from the free forms with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer. Fazıl Say has been touching audiences and critics alike for more than twenty-five years in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something else. They are more direct, more open, more exciting; in short, they go straight to the heart. And the same may be said of his compositions. Fazıl Say wrote his first piece -- a piano sonata -- as early as 1984, at the age of fourteen, when he was a student at the Conservatory of his home town Ankara. It was followed, in this early phase of his development, by several chamber works without an opus number, including Schwarze Hymnen for violin and piano and a guitar concerto. He subsequently designated as his opus 1 one of the works that he had played in the concert that won him the Young Concert Artists Auditions in New York: the Four Dances of Nasreddin Hodja. This work already displays in essence the significant features of his personal style: a rhapsodic, fantasia-like basic structure; a variable rhythm, often dance-like, though formed through syncopation; a continuous, vital driving pulse; and a wealth of melodic ideas that may often be traced back to themes from the folk music of Turkey and its neighbours. In these respects, Fazıl Say stands to some extent in the tradition of composers like Béla Bartók, George Enescu, and György Ligeti, who also drew on the rich musical folklore of their countries. He attracted international attention with the piano piece Black Earth (1997), in which he employs techniques familiar to us from John Cage and his works for prepared piano. After this, Say increasingly turned to the large orchestral forms. Taking his inspiration from the poetry (and the biographies) of the writers Nâzım Hikmet and Metin Altıok, he composed works for soloists, chorus and orchestra which, especially in the case of the oratorio Nâzim, clearly take up the tradition of composers such as Carl Orff. In addition to the modern European instrumentarium, Say also makes frequent and deliberate use in these compositions of instruments from his native Turkey, including kudüm and darbuka drums and the ney reed flute. This gives the music a colouring that sets it apart from many comparable creations in this genre. In the year 2007 he aroused international interest with his Violin Concerto 1001 Nights in the Harem, which is based on the celebrated tales of the same name, but deals specifically with the fate of seven women from a harem. Since its world premiere by Patricia Kopatchinskaja, the piece has already received further performances in many international concert halls. Fazıl Say scored a further great success with his first symphony, the Istanbul Symphony, premiered in 2010 at the conclusion of his five-year residency at the Konzerthaus Dortmund. Jointly commissioned by the WDR and the Konzerthaus Dortmund in the framework of Ruhr.2010, the work constitutes a vibrant and poetic tribute to the metropolis on the Bosporus and its millions of inhabitants. The same year saw the composition, among other pieces, of his Divorce String Quartet (based on atonal principles), and commissioned works like the Piano Concerto Nirvana Burning for the Salzburg Festival and a Trumpet Concerto for the Mecklenburg-Vorpommern Festival, premiered by Gábor Boldoczki. In response to a commission from the 2011 Schleswig-Holstein Musik Festival, Say has also written a Clarinet Concerto for Sabine Meyer that refers to the life and work of the Persian poet Omar Khayyam; for the Munich Biennale he is working on his first opera, entitled Sivas. Fazıl Say's works are issued worldwide by the renowned music publishers Schott of Mainz.

    Fazıl+Say+-+SES

  • Horváth Ági (X-Faktor 2014) - En attendant ses pas feat. Szedegetem (LB27)

    Duration: 6:29 - FileType: mp3 - Bitrate: 192 Kbps


    Horváth Ági X-Faktor 2014 - En attendant ses pas feat. Szedegetem LB27

    Horváth Ágnes - a 2014-es magyar X-Faktor Mentorházba jutott énekesnője - és zenekara, az Ági van? Horváth Ági Both Róbert Barát Gellért Szebeni Zsolt Tóth Gábor (Tádé) www.agivan.hu

    Horváth+Ági++X-Faktor+2014++-+ En+attendant+ses+pas+feat.+Szede getem++LB27+

  • PopUp For The World - Imagine Demi | Nieloefaar| Anne | Anique | Selenay | Gabor Cover

    Duration: 4:46 - FileType: mp3 - Bitrate: 192 Kbps


    PopUp For The World - Imagine Demi Nieloefaar Anne Anique Selenay Gabor Cover

    This one is for the world. Please MAKE LOVE, NOT WAR. Please share, and thumbs up. In this video: Anne & Anique (Dutch Juniorsongfestival Finalists) Demi van Wijngaarden (Dutch Voice Kids 3 Finalist) Nieloefaar Bahadori (Dutch Voice Kids 3 Finalist) Selenay Dagdelen (Rising Talent) Gabor Postma (Vocal Coach)

    PopUp+Fo r+The+Wo rld+-+Im agine+De mi+++Nie loefaar+ +Anne+++ Anique++ +Selenay +++Gabor +Cover

  • Show de DJ Champion et ses G-strings @ Métropolis

    Duration: 1:31 - FileType: mp3 - Bitrate: 192 Kbps


    Show de DJ Champion et ses G-strings @ Métropolis

    Show de DJ Champion et ses G-strings , thks to Spectra Musique

    Show+de+DJ+Champ ion+et+ses+G-str ings+@+Métropol is

  • Happiness Juice

    Duration: 5:37 - FileType: mp3 - Bitrate: 192 Kbps


    Happiness Juice

    Provided to YouTube by GoodToGo Happiness Juice · Munk feat. Mona Lazette Chanson 3000 ℗ 2014 Gomma Released on: 2014-10-24 Composer: Mathias Modica, Ray Mang Lyricist: Mathias Modica, Ray Mang Music Publisher: Gomma Publishing/Kobalt Music Auto-generated by YouTube.

    Happines s+Juice

  • Gilbert Bécaud – T’es venu de loin (1965)

    Duration: 7:42 - FileType: mp3 - Bitrate: 192 Kbps


    Gilbert Bécaud – T’es venu de loin 1965

    En visite en Suisse, le chanteur français interprète "T’es venu de loin", aux commandes d'un avion de l'Aéro-Club de Genève. Gilbert Bécaud en profite pour parler de son amour de l’aviation sportive et de ses projets de concert au micro de l’émission Carrefour. Retrouvez l’entier de l’émission sur le site des archives de la RTS : http://www.rts.ch/archives/tv/information/carrefour/8231777-becaud-s-envole.html Retrouvez les archives de la Radio Télévision Suisse: Site: http://rts.ch/archives Facebook: https://facebook.com/lesarchivesdelaRTS Retrouvez la Radio Télévision Suisse: Site: http://rts.ch Portail vidéo: http://rts.ch/play YouTube: https://youtube.com/RTS Facebook: https://facebook.com/rts.ch Twitter: https://twitter.com/radiotelesuisse Instagram: http://instagram.com/radiotelevisionsuisse Google+: https://plus.google.com/+RadioTelevisionSuisse

    Gilbert+Bécaud+–+ T’es+venu+de+loin+ +1965+

  • The Insomniax - Friday Comes (The Re-Manuva) feat. Roots Manuva & Roses Gabor

    Duration: 4:48 - FileType: mp3 - Bitrate: 192 Kbps


    The Insomniax - Friday Comes The Re-Manuva feat. Roots Manuva & Roses Gabor

    As featured on a lil' Insomniax remix package alongside reworks by Bobby Evans (Widows) and Swede:art. It drops 10th December 2012. In the meantime, check the 'Love She Wants EP' - released 17th September on Earnest Endeavours. iTunes: http://itunes.apple.com/gb/album/love-she-wants/id553603382 Bandcamp: http://earnestendeavours.bandcamp.com/album/love-she-wants-ep http://www.facebook.com/theinsomniax http://www.earnestendeavours.com

    The+Inso mniax+-+ Friday+C omes++Th e+Re-Man uva++fea t.+Roots +Manuva+ &+Roses+ Gabor

  • Ági Van? - Gondolj rám (Official video)

    Duration: 4:34 - FileType: mp3 - Bitrate: 192 Kbps


    Ági Van? - Gondolj rám Official video

    Horváth Ági (X-Faktor 2014) és zenekara az Ági Van? az "A Dal 2015" című magyarországi eurovíziós válogatóra nevezett dala. Zene: Both Róbert, Czibere József, Horváth Ágnes, Szebeni Zsolt, Tóth Gábor Szöveg: Tóth Gábor Horváth Ágnes - ének Both Róbert - gitár Czibere József - dob, ütőhangszerek Huba Zoltán - tenorszaxofon Szebeni Zsolt - billentyűsök, vokál Tóth Gábor (Tádé) - basszusgitár Várfalvi Gergő - trombita Közreműködött: Ferencz Kinga - vokál Báthori János - trombita Vidákovich Izsák - tenorszaxofon

    Ági+Van?+-+Gondolj+rám ++Official+video+

  • Via Crucis: Station X. Jésus est dépouillé de ses vetements

    Duration: 1:18 - FileType: mp3 - Bitrate: 192 Kbps


    Via Crucis: Station X. Jésus est dépouillé de ses vetements

    Provided to YouTube by Hungaroton Via Crucis: Station X. Jésus est dépouillé de ses vetements · Gábor Lehotka · Erzsébeth Komóssy · Sándor Sólyom-Nagy · Éva Andor · Ferenc Bergányi · Attila Fülöp · Budapest Chorus · Miklós Szabó · Éva MARTON · Adrienne Csengery · Zsuzsa Németh · Franz Liszt Liszt: Szekszárd Mass - Via Crucis ℗ 1989 HUNGAROTON RECORDS LTD. Released on: 1989-07-22 Auto-generated by YouTube.

    Via+Crucis:+Station+X.+Jésu s+est+dépouillé+de+ses+vet ements

  • #18 INTERVIEW MISCHA MAISKY

    Duration: 4:23 - FileType: mp3 - Bitrate: 192 Kbps


    #18 INTERVIEW MISCHA MAISKY

    Our medici.tv interview series are a series of original interviews featuring the greatest personalities of the classical music world. We have captured in a fun and relaxed way their unique personalities and what makes these artists today's great performers. In our series, discover other great names who share with us their intimate thoughts such as: Martha Argerich, Evgeny Kissin, Anne-Sophie Mutter, Yuja Wang... Les interview sont une série de mini-interview afin de découvrir les personnes interrogées sous un angle différent. C'est l'occasion pour l'artiste de dévoiler à la fois ses humeurs, ses envies, ses goûts.... Les interview sont inspirés du questionnaire de Proust.... Mischa Maisky répond au interview de medici.tv dans les backstage du Verbier Festival. Cette interview est réalisée par Matthieu Escande

    #18+INTERVIEW+MISCHA+MAI SKY

  • Gabor Szabo "Gypsy Jam"

    Duration: 5:58 - FileType: mp3 - Bitrate: 192 Kbps


    Gabor Szabo "Gypsy Jam"

    Gabor Szabo est ... hongrois A 20 ans, en 1956, ll fuit la hongrie avec sa famille et s'installe en Californie où il s'initie au mysticisme oriental et s'efforce de faire sonner son instrument à la manière du sitar. Ouvert à tous les styles, il métisse son jazz, déjà fortement original, de pop, de musique indienne, gitane...Aujourd'hui, malheureusement, une grande partie de ses disques est introuvable. On ne se rappelle plus de lui que comme le créateur de "Gipsy Queen" dont Santana a fait un méga hit. Celui-ci le cite d'ailleurs comme étant sa principale influence.

    Gabor+Szabo+"Gypsy+Jam"

  • Les ailes du plaisir

    Duration: 7:22 - FileType: mp3 - Bitrate: 192 Kbps


    Les ailes du plaisir

    Ce film à été réalisé par Jacques Petitpierre et avec des caméra embarquées de l'association ONVOL Musique réalisée par Yvan-Piantella (ingé son +guitariste) et Gabor Varadi (apprenti ingénieur du son et lumière) en 2003. Extrait du film des Ailes et des Anges début 2004.

    Les+ailes+du +plaisir

  • Kapitel 1 (Teil 223)

    Duration: 1:52 - FileType: mp3 - Bitrate: 192 Kbps


    Kapitel 1 Teil 223

    Provided to YouTube by Kontor New Media GmbH Kapitel 1 (Teil 223) · Karl May & Karlheinz Gabor Old Surehand III (Kapitel 1 & 2) ℗ Der Drehbuchverlag Released on: 2018-05-04 Artist: Karl May Artist, Narrator: Karlheinz Gabor Music Publisher: Der Drehbuchverlag Lyricist: Karl May Auto-generated by YouTube.

    Kapitel+1++Teil+223+

  • CARAT: Ringasson el a zene

    Duration: 5:37 - FileType: mp3 - Bitrate: 192 Kbps


    CARAT: Ringasson el a zene

    Carat próba 2017.március 16. Bakó T. Gábor - /Ének/ Erdélyi Frigyes - /Gitár/ Molnár Imre - /Bass/ Gerő Balázs - /Dob/

    CARAT:+Ringasson +el+a++zene

  • Camilo Sesto - Con el viento a tu favor (México, 1977)

    Duration: 3:01 - FileType: mp3 - Bitrate: 192 Kbps


    Camilo Sesto - Con el viento a tu favor México, 1977

    Presentación en Siempre en Domingo. Unico video que existe de esta canción en tv.

    Camilo+Sesto +-+Con+el+vi ento+a+tu+fa vor++México ,+1977+

  • Kavaldan Ses Çıkarmak - Kaval Eğitim Serisi Video #1

    Duration: 0:08 - FileType: mp3 - Bitrate: 192 Kbps


    Kavaldan Ses Çıkarmak - Kaval Eğitim Serisi Video #1

    How to play kaval. Kaval nasıl çalınır. English subtitles are added. Kaval Eğitim Serimizin ilk videosu - Kavaldan nasıl ses çıkarılır konusu hakkında keyifli bir sohbet. Kavaldan nasıl ses çıkarılabileceği konusu detaylı bir biçimde sıfırdan anlatılmıştır. Umuyorum faydalı olur. Facebook adresim: https://www.facebook.com/mertcan.ae

    Kavaldan+Ses+Çıkarmak+ -+Kaval+Eğitim+Serisi+V ideo+#1

  • FLORA TANDI & GABOR MOLNAR - Le Son Des Arbres

    Duration: 4:43 - FileType: mp3 - Bitrate: 192 Kbps


    FLORA TANDI & GABOR MOLNAR - Le Son Des Arbres

    Terem Crossover International Competition 2013 - application Arranged classical music pieces: J.S. Bach - C Major Preludium; J.S. Bach - Cello Suite No.1 Preludium; Albinoni - Adagio; W.A. Mozart - Requiem - Lacrimosa; Tchaikovsky - Swan Lake Arranged by: Gabor MOLNAR Lyrics - Néotom SV Le son des arbres Tu danses dans ses bras de seve L'enfance d'une vie de reve Les branches de ton avenir Se penchent pour te l'offrir Elle attendait qu'un homme se souleve, Et espérait que la souffrance s'acheve Se redresser et enfin s'en sortir, Pour ne plus en souffrir REFR. Le vent nous porte dans sa musique Au gré de son bonheur Comme une chanson magique Hurlant dans nos coeurs Le son des arbres en fleurs Le vent nous souffle un air spécifique A une nature qui a peur Un air plutot tragique Qui dévoile son coeur Le son des arbres en pleurs Qui se meurent Tu penses que rien ne se perd T'avances sur cette terre Mais fatiguée de ressentir L'humanité qui la fait fléchir Faire revenir ce monde qu'elle espere Notre mere doit choisir REFR. Le vent nous porte dans sa musique Au gré de son bonheur Comme une chanson magique Hurlant dans nos coeurs Le son des arbres en fleurs Le vent nous souffle un air spécifique A une nature qui a peur Un air plutot tragique Qui dévoile son coeur Le son des arbres en pleurs Arreter de se voiler la face Ouvrir les yeux enfin Chasser le mauvais son qui prend place Et se donner la main REFR. Le vent nous porte dans sa musique Au gré de son bonheur Comme une chanson magique Hurlant dans nos coeurs Le son des arbres en fleurs Le vent nous souffle un air spécifique A une nature qui a peur Un air plutot tragique Qui dévoile son coeur Le son des arbres en pleurs Qui se meurent.

    FLORA+TANDI+&+GABOR+MOLNAR+- +Le+Son+Des+Arbres

  • Szent István-orgonafantázia

    Duration: 6:28 - FileType: mp3 - Bitrate: 192 Kbps


    Szent István-orgonafantázia

    Provided to YouTube by Hungaroton Szent István-orgonafantázia · László Fehér · István Koloss · Szent István Bazilika Énekkara · Lisznyai- Szabó Gábor In Memoriam Sancti Stephani Regis Hungarie ℗ 1987 HUNGAROTON RECORDS LTD. Released on: 1987-11-30 Auto-generated by YouTube.

    Szent+István-or gonafantázia

  • Fazıl Say - Kumru Ballad

    Duration: 3:43 - FileType: mp3 - Bitrate: 192 Kbps


    Fazıl Say - Kumru Ballad

    Composing is always a form of improvisation: with ideas, with musical particles, with imaginary shapes. And it is in this sense that the artistic itinerary and the world-view of the Turkish composer and pianist Fazıl Say should be understood. For it was from the free forms with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer. Fazıl Say has been touching audiences and critics alike for more than twenty-five years in a way that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something else. They are more direct, more open, more exciting; in short, they go straight to the heart. And the same may be said of his compositions. Fazıl Say wrote his first piece -- a piano sonata -- as early as 1984, at the age of fourteen, when he was a student at the Conservatory of his home town Ankara. It was followed, in this early phase of his development, by several chamber works without an opus number, including Schwarze Hymnen for violin and piano and a guitar concerto. He subsequently designated as his opus 1 one of the works that he had played in the concert that won him the Young Concert Artists Auditions in New York: the Four Dances of Nasreddin Hodja. This work already displays in essence the significant features of his personal style: a rhapsodic, fantasia-like basic structure; a variable rhythm, often dance-like, though formed through syncopation; a continuous, vital driving pulse; and a wealth of melodic ideas that may often be traced back to themes from the folk music of Turkey and its neighbours. In these respects, Fazıl Say stands to some extent in the tradition of composers like Béla Bartók, George Enescu, and György Ligeti, who also drew on the rich musical folklore of their countries. He attracted international attention with the piano piece Black Earth (1997), in which he employs techniques familiar to us from John Cage and his works for prepared piano. After this, Say increasingly turned to the large orchestral forms. Taking his inspiration from the poetry (and the biographies) of the writers Nâzım Hikmet and Metin Altıok, he composed works for soloists, chorus and orchestra which, especially in the case of the oratorio Nâzim, clearly take up the tradition of composers such as Carl Orff. In addition to the modern European instrumentarium, Say also makes frequent and deliberate use in these compositions of instruments from his native Turkey, including kudüm and darbuka drums and the ney reed flute. This gives the music a colouring that sets it apart from many comparable creations in this genre. In the year 2007 he aroused international interest with his Violin Concerto 1001 Nights in the Harem, which is based on the celebrated tales of the same name, but deals specifically with the fate of seven women from a harem. Since its world premiere by Patricia Kopatchinskaja, the piece has already received further performances in many international concert halls. Fazıl Say scored a further great success with his first symphony, the Istanbul Symphony, premiered in 2010 at the conclusion of his five-year residency at the Konzerthaus Dortmund. Jointly commissioned by the WDR and the Konzerthaus Dortmund in the framework of Ruhr.2010, the work constitutes a vibrant and poetic tribute to the metropolis on the Bosporus and its millions of inhabitants. The same year saw the composition, among other pieces, of his Divorce String Quartet (based on atonal principles), and commissioned works like the Piano Concerto Nirvana Burning for the Salzburg Festival and a Trumpet Concerto for the Mecklenburg-Vorpommern Festival, premiered by Gábor Boldoczki. In response to a commission from the 2011 Schleswig-Holstein Musik Festival, Say has also written a Clarinet Concerto for Sabine Meyer that refers to the life and work of the Persian poet Omar Khayyam; for the Munich Biennale he is working on his first opera, entitled Sivas. Fazıl Say's works are issued worldwide by the renowned music publishers Schott of Mainz.

    Fazıl+Say+-+Kumru+Balla d

  • Via Crucis, les 14 Stations de la Croix S. 53 R. 534 (1879) X. Stáció: Jésus est dépouillé...

    Duration: 1:18 - FileType: mp3 - Bitrate: 192 Kbps


    Via Crucis, les 14 Stations de la Croix S. 53 R. 534 1879 X. Stáció: Jésus est dépouillé...

    Provided to YouTube by Hungaroton Via Crucis, les 14 Stations de la Croix S. 53 R. 534 (1879) X. Stáció: Jésus est dépouillé de ses vetements · Gábor Lehotka · Ferenc Liszt · Erzsébeth Komóssy · Ferenc Bergányi · Attila Fülöp · Miklós Szabó · Éva MARTON · Adrienne Csengery · Zsuzsa Németh · Andor Éva · Budapesti Kórus · Sólyom Nagy Sándor Choral Works III.: Via Crucis - Inno a Maria Vergine ℗ 1971 HUNGAROTON RECORDS LTD. Released on: 1971-10-27 Auto-generated by YouTube.

    Via+Crucis,+les+14+Stati ons+de+la+Croix+S.+53+R. +534++1879++X.+Stáció: +Jésus+est+dépouillé. ..

  • Hit The Road Jack - Ray Charles. New Remix.-/by gaby/

    Duration: 3:18 - FileType: mp3 - Bitrate: 192 Kbps


    Hit The Road Jack - Ray Charles. New Remix.-/by gaby/

    Hit+The+Road+Jack+-+Ray+ Charles.+New+Remix.-/by+ gaby/

  • La Trilogie de Figaro - Grand Théâtre de Genève

    Duration: 2:57 - FileType: mp3 - Bitrate: 192 Kbps


    La Trilogie de Figaro - Grand Théâtre de Genève

    Trois épisodes de la vie de Figaro en trois jours ! Découvrez Figaro décliné dans toutes ses facettes. Un être charismatique, un habile entremetteur, un valet à la recherche de l’ascension sociale, un homme au parler franc… Figaro ! Le personnage créé par Pierre-Augustin Caron de Beaumarchais est mis à l’honneur pour cette rentrée du Grand Théâtre de Genève, dans une trilogie innovante et originale. Du 12 au 26 septembre à l'Opéra des Nations Plus d'infos : http://bit.ly/GTG_TrilogieFigaro_1718 Réalisation : Jeff Vercasson Photo : © GTG / Nicolas Schopfer

    La+Trilogie+de+Figaro+-+ Grand+Théâtre+de+Genè ve

  • Uzun ince bir yoldayim (Farkas T. - Hoppál M. 2014)

    Duration: 4:53 - FileType: mp3 - Bitrate: 192 Kbps


    Uzun ince bir yoldayim Farkas T. - Hoppál M. 2014

    http://www.hoppalmihaly.hu/ subcribe:https://www.youtube.com/user/HOPPALMIHU Asik Veysel - Uzun ince bir yoldayim c. dala alapján... feldolgozás, hangszerelés (ses isleme) - Hoppál Mihály (Macaristan) ének (sarkici) - Farkas Tünde saz, gitár, hegedű (keman), nagybőgő (kontrabas) - Hoppál Mihály ütőhagszerek (derbuka, davul) - Pusztai Gábor video - Hoppál-Kovács Edit https://www.facebook.com/Arlequin-Projekt-Personal-Branding-1532933663651182/?fref=ts film részletek (film detayi) - Huszárik Z. (yönetmen) - Csontváry - C. Saura (yönetmen) - Flamenco

    Uzun+ince+bir+yo ldayim++Farkas+T .+-+Hoppál+M.+2 014+

  • Kovács Gábor (kaval) - Öves

    Duration: 4:35 - FileType: mp3 - Bitrate: 192 Kbps


    Kovács Gábor kaval - Öves

    http://dialekton.hu - http://facebook.com/Dialekton

    Kovács+Gáb or++kaval++- +Öves

  • FOCAL ELECTRA 937 BE , MARANTZ PM11

    Duration: 1:24 - FileType: mp3 - Bitrate: 192 Kbps


    FOCAL ELECTRA 937 BE , MARANTZ PM11

    FOCAL ELECTRA 937 BE , MARANTZ PM11

    FOCAL+ELECTRA+937+BE +,+MARANTZ+PM11

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