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  • Dusty Springfield - Every Day I Have To Cry (Ready Steady Go)

    Duration: 3:33 - FileType: mp3 - Bitrate: 192 Kbps


    Dusty Springfield - Every Day I Have To Cry Ready Steady Go

    Britain's greatest pop diva, Dusty Springfield was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries; though a camp icon of glamorous excess in her towering beehive hairdo and panda-eye black mascara, the sultry intimacy and heartbreaking urgency of Springfield's voice transcended image and fashion, embracing everything from lushly orchestrated pop to gritty R&B to disco with unparalleled sophistication and depth. She was born Mary O'Brien on April 16, 1939, and raised on an eclectic diet of classical music and jazz, coming to worship Peggy Lee; after completing her schooling she joined the Lana Sisters, a pop vocal trio which issued a few singles on Fontana before dissolving. In 1960, upon teaming with her brother Dion O' Brien and his friend Tim Feild in the folk trio the Springfields, O'Brien adopted the stage name Dusty Springfield; thanks to a series of hits including "Breakaway," "Bambino," and "Say I Won't Be There," the group was soon the U.K.'s best-selling act. After the Springfields cracked the U.S. Top 20 in 1962 with "Silver Threads and Golden Needles," the group traveled stateside to record in Nashville, where exposure to the emerging American girl-group and Motown sounds impacted Dusty so profoundly that in 1963 she left the Springfields at the peak of their fame to pursue a solo career. Her first single, "I Only Want to Be With You," boasted a dramatic sound and soulful melody worthy of a Phil Spector hit, and it quickly reached the British Top Five; it also fell just shy of the Top Ten in the U.S., where it became the first major record from a U.K. act other than the Beatles since the Fab Four's launch of the British Invasion. Her biggest American Top Ten hit, "Wishin' and Hopin'," was the first in a series of Springfield smashes from the pen of songwriters Burt Bacharach and Hal David; she would subsequently cover Bacharach/David classics including "Anyone Who Had a Heart" and "I Just Don't Know What to Do With Myself," surpassed only by Dionne Warwick as the finest interpreter of the duo's songs. Additionally charting with hits including "Stay Awhile" and "All Cried Out," by the end of 1964 Springfield was arguably the biggest solo act in British pop, winning the first of four consecutive Best Female Vocalist honors in NME; that same year, she also created a political furor after she was deported from South Africa for refusing to play in front of racially segregated audiences. Returning to England, in 1965 Springfield hosted the television special The Sound of Motown, a show widely credited with introducing the Sound of Young America to the their British counterparts, and continued racking up smashes like "Losing You," "Your Hurtin' Kinda Love," and "In the Middle of Nowhere"; in 1966, she scored her biggest international hit with the devastating ballad "You Don't Have to Say You Love Me," which topped the U.K. charts and reached the Top Five in the U.S. The soundalike "All I See Is You," another heart-wrenching evocation of unrequited love, soon reached the British Top Ten as well; it was followed, however, by the Bacharach/David-penned "The Look of Love," a bossa nova-inflected classic positively radiating with dreamlike sensuousness. By 1968, however, Springfield's commercial fortunes were on the decline -- in the wake of Sgt. Pepper and the Summer of Love, "girl singers" were now widely perceived as little more than fluff. This prompted Dusty to take a new direction. The resulting album, issued in early 1969 as Dusty in Memphis, remains her masterpiece, a perfect marriage of pop and soul stunning in its emotional complexity and earthy beauty. ~ Jason Ankeny, All Music Guide PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index

    Dusty+Sp ringfiel d+-+Ever y+Day+I+ Have+To+ Cry++Rea dy+Stead y+Go+

  • lulu shout 1965 ready steady go

    Duration: 3:53 - FileType: mp3 - Bitrate: 192 Kbps


    lulu shout 1965 ready steady go

    optreden van lulu tijdens ready steady go in 1965

    lulu+shout+1965+ready+steady+go

  • Lulu - Shout (Ready Steady Go 1965)

    Duration: 4:50 - FileType: mp3 - Bitrate: 192 Kbps


    Lulu - Shout Ready Steady Go 1965

    Lulu performs "Shout" Live on RSG in the sixties.....

    Lulu+-+Shout ++Ready+Stea dy+Go+1965+

  • Ready Steady Go Vancouver Don't Cry Love Your Life Music Video 2009

    Duration: 3:33 - FileType: mp3 - Bitrate: 192 Kbps


    Ready Steady Go Vancouver Don't Cry Love Your Life Music Video 2009

    www.myspace.com/readysteadygovancouver Ready Steady Go film live off the floor music video December 2009 @ Arts Institute of Vancouver. Sound mixing and video editing by James Weekes and Matt G. of Foreign Object Productions

    Ready+Steady+Go+Vanc ouver+Don't+Cry+Love +Your+Life+Music+Vid eo+2009

  • The Animals - Baby Let Me Take You Home (Ready Steady Go)

    Duration: 3:37 - FileType: mp3 - Bitrate: 192 Kbps


    The Animals - Baby Let Me Take You Home Ready Steady Go

    One of the most important bands originating from England's R&B scene during the early '60s, the Animals were second only to the Rolling Stones in influence among R&B-based bands in the first wave of the British Invasion. The Animals had their origins in a Newcastle-based group called the Kansas City Five, whose membership included pianist Alan Price, drummer John Steel, and vocalist Eric Burdon. Price exited to join the Kontours in 1962, while Burdon went off to London. The Kontours, whose membership included Bryan "Chas" Chandler, eventually were transmuted into the Alan Price R&B Combo, with John Steel joining on drums. Burdon's return to Newcastle in early 1963 heralded his return to the lineup. The final member of the combo, guitarist Hilton Valentine, joined just in time for the recording of a self-produced EP under the band's new name, the Animals. That record alerted Graham Bond to the Animals; he was likely responsible for pointing impresario Giorgio Gomelsky to the group. Gomelsky booked the band into his Crawdaddy Club in London, and they were subsequently signed by Mickie Most, an independent producer who secured a contract with EMI's Columbia imprint. A studio session in February 1964 yielded their Columbia debut single, "Baby Let Me Take You Home" (adapted from "Baby Let Me Follow You Down"), which rose to number 21 on the British charts. For years, it was rumored incorrectly that the Animals got their next single, "House of the Rising Sun," from Bob Dylan's first album, but it has been revealed that, like "Baby Let Me Take You Home," the song came to them courtesy of Josh White. In any event, the song -- given a new guitar riff by Valentine and a soulful organ accompaniment devised by Price -- shot to the top of the U.K. and U.S. charts early that summer. This success led to a follow-up session that summer, yielding their first long-playing record, The Animals. Their third single, "I'm Crying," rose to number eight on the British charts. The group compiled an enviable record of Top Ten successes, including "Don't Let Me Be Misunderstood" and "We've Gotta Get Out of This Place," along with a second album, Animal Tracks. In May of 1965, immediately after recording "We've Gotta Get Out of This Place," Alan Price left the band, citing fear of flying as the reason; subsequent biographies of the band have indicated that the reasons were less psychological. When "House of the Rising Sun" was recorded, using what was essentially a group arrangement, the management persuaded the band to put one person's name down as arranger. Price came up the lucky one, supposedly with the intention that the money from the arranger credit would be divided later on. The money was never divided, however, and as soon as it began rolling in, Price suddenly developed his fear of flying and exited the band. Others cite the increasing contentiousness between Burdon and Price over leadership of the group as the latter's reason for leaving. In any case, a replacement was recruited in the person of Dave Rowberry. In the meantime, the group was growing increasingly unhappy with the material they were being given to record by manager Mickie Most. Not only were the majority of these songs much too commercial for their taste, but they represented a false image of the band, even if many were successful. "It's My Life," a number seven British hit and a similar smash in America, caused the Animals to terminate their association with Most and with EMI Records. They moved over to Decca/London Records and came up with a more forceful, powerful sound on their first album for the new label, Animalisms. The lineup shifts continued, however: Steel exited in 1966, after recording Animalisms, and was replaced by Barry Jenkins, formerly of the Nashville Teens. Chandler left in mid-1966 after recording "Don't Bring Me Down" and Valentine remained until the end of 1966, but essentially "Don't Bring Me Down" marked the end of the original Animals. ~ Bruce Eder, All Music Guide PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index

    The+Animals+ -+Baby+Let+M e+Take+You+H ome++Ready+S teady+Go+

  • THE BEATLES LIVE - RSG SPECIAL 1964

    Duration: 9:16 - FileType: mp3 - Bitrate: 192 Kbps


    THE BEATLES LIVE - RSG SPECIAL 1964

    recordando a the beatles

    THE+BEATLES+LIVE+-+RSG+SPECI AL+1964

  • The Action - "I'll keep on holding on" LIVE ! Ready Steady Go 1966

    Duration: 2:27 - FileType: mp3 - Bitrate: 192 Kbps


    The Action - "I'll keep on holding on" LIVE ! Ready Steady Go 1966

    The classic Marvellettes track from the previous year preformed live on RSG by the mighty Action. No doubt preforming it pre-release to promote it With an introduction by Cathy McGowan , sadly no footage known exists , just this still from that performance. Perhaps Dave Clark( poodle haired ponce of Dave Clark 5 fame who bought all remaining shows / footage) will finally see the light and release his stock of old RSG shows before he pops his clogs. Who knows ,this could be in it.

    The+Action+-++"I'll+keep +on+holding+on"+LIVE++!+ Ready+Steady+Go+1966

  • The Birthday – LIVE DVD / Bu-ray「LIVE AT NIPPON BUDOKAN 2015“GOLD TRASH”」ダイジェスト

    Duration: 5:10 - FileType: mp3 - Bitrate: 192 Kbps


    The Birthday – LIVE DVD / Bu-ray「LIVE AT NIPPON BUDOKAN 2015“GOLD TRASH”」ダイジェスト

    「LIVE Blu-ray/DVD「LIVE AT NIPPON BUDOKAN 2015 “GOLD TRASH”」 2016.1.13 OUT!! 2015年9月15日・ベストアルバム「GOLD TRASH」リリースの前日、アニバーサリーイヤーに行われた一夜限りの日本武道館公演。 新旧の名曲を怒涛のように演奏した“ベストライブ”ともいえる2お時間21分を収録!DVD&Blu-rayともに初回限定スペシャルパッケージ仕様。 Blu-ray限定特典として、当日のオフショット映像のほか、5.1chサラウンド音声も収録となる。 [Blu-ray] UMXK-9014 ¥5,500+税 [DVD] UMBK-9293 ¥4,000+税 《収録曲》 6つ数えて火をつけろ 涙がこぼれそう stupid I KNOW ホロスコープ KIKI The Pixy ROKA ALRIGHT 爪痕 WALTZ シルエット FULLBODYのBLOOD 愛でぬりつぶせ ダンス・ナンバー マスカレード くそったれの世界 なぜか今日は MOTHER  KAMINARI TODAY 声 さよなら最終兵器 COME TOGETHER READY STEADY GO ローリン [Blu-rayのみ:特典映像] LIVE AT NIPPON BUDOKAN 2015 “GOLD TRASH”オフショット ■初回生産限定スペシャルパッケージ 三方背スリーブケース付 ※初回生産分なくなり次第、通常パッケージに移行になります ■24ページフォトブックレット付 ■Blu-rayのみ特典映像(オフショット)付き& 5.1chサラウンド音声  ※DVDには収録されません

    The+Birthday+–+LIVE+DVD+/+Bu-r ay「LIVE+AT+NIPPON+BUDOKAN+2015 “GOLD+TRASH”」ダイジェ

  • The Who - Anyway Anyhow Anywhere - Ready Steady GO!

    Duration: 3:54 - FileType: mp3 - Bitrate: 192 Kbps


    The Who - Anyway Anyhow Anywhere - Ready Steady GO!

    On July 1st, 1965, The Who are filmed performing live versions of "Anyway Anyhow Anywhere" and "Shout and Shimmy" for Ready Steady GO! With great luck a kinescope of this show survives and "Anyway Anyhow Anywhere" is later used in The Kids Are Alright and many other Who documentaries. It's elsewhere on YouTube but I wanted it a bit better quality than what I found.

    The+Who+ -+Anyway +Anyhow+ Anywhere +-+Ready +Steady+ GO!

  • Dusty Springfield - Losing You (Ready Steady Go)

    Duration: 3:06 - FileType: mp3 - Bitrate: 192 Kbps


    Dusty Springfield - Losing You Ready Steady Go

    Britain's greatest pop diva, Dusty Springfield was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries; though a camp icon of glamorous excess in her towering beehive hairdo and panda-eye black mascara, the sultry intimacy and heartbreaking urgency of Springfield's voice transcended image and fashion, embracing everything from lushly orchestrated pop to gritty R&B to disco with unparalleled sophistication and depth. She was born Mary O'Brien on April 16, 1939, and raised on an eclectic diet of classical music and jazz, coming to worship Peggy Lee; after completing her schooling she joined the Lana Sisters, a pop vocal trio which issued a few singles on Fontana before dissolving. In 1960, upon teaming with her brother Dion O' Brien and his friend Tim Feild in the folk trio the Springfields, O'Brien adopted the stage name Dusty Springfield; thanks to a series of hits including "Breakaway," "Bambino," and "Say I Won't Be There," the group was soon the U.K.'s best-selling act. After the Springfields cracked the U.S. Top 20 in 1962 with "Silver Threads and Golden Needles," the group traveled stateside to record in Nashville, where exposure to the emerging American girl-group and Motown sounds impacted Dusty so profoundly that in 1963 she left the Springfields at the peak of their fame to pursue a solo career. Her first single, "I Only Want to Be With You," boasted a dramatic sound and soulful melody worthy of a Phil Spector hit, and it quickly reached the British Top Five; it also fell just shy of the Top Ten in the U.S., where it became the first major record from a U.K. act other than the Beatles since the Fab Four's launch of the British Invasion. Her biggest American Top Ten hit, "Wishin' and Hopin'," was the first in a series of Springfield smashes from the pen of songwriters Burt Bacharach and Hal David; she would subsequently cover Bacharach/David classics including "Anyone Who Had a Heart" and "I Just Don't Know What to Do With Myself," surpassed only by Dionne Warwick as the finest interpreter of the duo's songs. Additionally charting with hits including "Stay Awhile" and "All Cried Out," by the end of 1964 Springfield was arguably the biggest solo act in British pop, winning the first of four consecutive Best Female Vocalist honors in NME; that same year, she also created a political furor after she was deported from South Africa for refusing to play in front of racially segregated audiences. Returning to England, in 1965 Springfield hosted the television special The Sound of Motown, a show widely credited with introducing the Sound of Young America to the their British counterparts, and continued racking up smashes like "Losing You," "Your Hurtin' Kinda Love," and "In the Middle of Nowhere"; in 1966, she scored her biggest international hit with the devastating ballad "You Don't Have to Say You Love Me," which topped the U.K. charts and reached the Top Five in the U.S. The soundalike "All I See Is You," another heart-wrenching evocation of unrequited love, soon reached the British Top Ten as well; it was followed, however, by the Bacharach/David-penned "The Look of Love," a bossa nova-inflected classic positively radiating with dreamlike sensuousness. By 1968, however, Springfield's commercial fortunes were on the decline -- in the wake of Sgt. Pepper and the Summer of Love, "girl singers" were now widely perceived as little more than fluff. This prompted Dusty to take a new direction. The resulting album, issued in early 1969 as Dusty in Memphis, remains her masterpiece, a perfect marriage of pop and soul stunning in its emotional complexity and earthy beauty. ~ Jason Ankeny, All Music Guide PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index

    Dusty+Sp ringfiel d+-+Losi ng+You++ Ready+St eady+Go+

  • Eric Burdon - Hold On, I'm Coming (Ready Steady Go - 1966)

    Duration: 3:30 - FileType: mp3 - Bitrate: 192 Kbps


    Eric Burdon - Hold On, I'm Coming Ready Steady Go - 1966

    As the lead singer of the Animals, Eric Burdon was one of the British Invasion's most distinctive vocalists, with a searingly powerful blues-rock voice. When the first lineup of the group fell apart in 1966, Burdon kept the Animals' name going with various players for a few years. Usually billed as Eric Burdon and the Animals, the group was essentially Burdon's vehicle, whom he used to purvey a far more psychedelic and less R&B-oriented vision. Occasionally he came up with a good second-division psychedelic hit, like "Sky Pilot"; more often, the music was indulgent, dating almost immediately. Burdon's real triumphs as a solo artist came at the beginning of the '70s, when he hooked up with a bunch of L.A. journeyman soul/funksters who became his backing band, War. Recording three albums worth of material in the year or two that they were together, the Burdon/War records could ramble on interminably, and would have benefited from a lot of editing. But they contained some spacey funkadelia of real quality, especially their number three hit single "Spill the Wine," which was almost recorded as an afterthought in the midst of sessions dominated by exploratory jams. The band was already big stars on record and stage when Burdon, for reasons unclear to almost everyone, quit the band in 1971. War defied expectations and became even bigger when left to their own devices; Burdon, after recording an album with veteran bluesman Jimmy Witherspoon, cut a series of generally desultory solo albums. He recorded off and on after that, at times with the Animals, but has never come close to reaching the heights of his work with the early Animals and War. ~ Richie Unterberger, All Music Guide

    Eric+Burdon+-+Hold+On,+I'm+Comin g++Ready+Steady+Go+-+1966+

  • Gerry And The Pacemakers - "My Babe" - Ready Steady Go, 1964

    Duration: 2:48 - FileType: mp3 - Bitrate: 192 Kbps


    Gerry And The Pacemakers - "My Babe" - Ready Steady Go, 1964

    Gerry+And+The+Pa cemakers+-+"My+B abe"+-+Ready+Ste ady+Go,+1964

  • Billy Fury "I Will" - Ready Steady Go, 1964

    Duration: 3:31 - FileType: mp3 - Bitrate: 192 Kbps


    Billy Fury "I Will" - Ready Steady Go, 1964

    Billy+Fury++"I+Will" +-++Ready+Steady+Go, +1964

  • George Harrison's Interview On Ready Steady Go!

    Duration: 2:59 - FileType: mp3 - Bitrate: 192 Kbps


    George Harrison's Interview On Ready Steady Go!

    George Harrison - Short Interview On Ready Steady Go! In 1964 i think.

    George+Harrison's+Interv iew+On+Ready+Steady+Go!

  • Dusty Springfield sings "Losing You" on Ready Steady Go!

    Duration: 3:10 - FileType: mp3 - Bitrate: 192 Kbps


    Dusty Springfield sings "Losing You" on Ready Steady Go!

    Dusty+Springfield+sings+"Losing+ You"+on++Ready+Steady+Go!

  • Ready Steady Go!!

    Duration: 2:16 - FileType: mp3 - Bitrate: 192 Kbps


    Ready Steady Go!!

    My tribute to one of the best 60's tv shows for Mod, and a batch of photos 2nd to none, enjoy!! Charlie 2013

    Ready+Steady+Go! !

  • Dusty Springfield - You Lost The Sweetest Boy (Ready Steady Go - 1965)

    Duration: 1:14 - FileType: mp3 - Bitrate: 192 Kbps


    Dusty Springfield - You Lost The Sweetest Boy Ready Steady Go - 1965

    Britain's greatest pop diva, Dusty Springfield was also the finest white soul singer of her era, a performer of remarkable emotional resonance whose body of work spans the decades and their attendant musical transformations with a consistency and purity unmatched by any of her contemporaries; though a camp icon of glamorous excess in her towering beehive hairdo and panda-eye black mascara, the sultry intimacy and heartbreaking urgency of Springfield's voice transcended image and fashion, embracing everything from lushly orchestrated pop to gritty R&B to disco with unparalleled sophistication and depth. She was born Mary O'Brien on April 16, 1939, and raised on an eclectic diet of classical music and jazz, coming to worship Peggy Lee; after completing her schooling she joined the Lana Sisters, a pop vocal trio which issued a few singles on Fontana before dissolving. In 1960, upon teaming with her brother Dion O' Brien and his friend Tim Feild in the folk trio the Springfields, O'Brien adopted the stage name Dusty Springfield; thanks to a series of hits including "Breakaway," "Bambino," and "Say I Won't Be There," the group was soon the U.K.'s best-selling act. After the Springfields cracked the U.S. Top 20 in 1962 with "Silver Threads and Golden Needles," the group traveled stateside to record in Nashville, where exposure to the emerging American girl-group and Motown sounds impacted Dusty so profoundly that in 1963 she left the Springfields at the peak of their fame to pursue a solo career. Her first single, "I Only Want to Be With You," boasted a dramatic sound and soulful melody worthy of a Phil Spector hit, and it quickly reached the British Top Five; it also fell just shy of the Top Ten in the U.S., where it became the first major record from a U.K. act other than the Beatles since the Fab Four's launch of the British Invasion. Her biggest American Top Ten hit, "Wishin' and Hopin'," was the first in a series of Springfield smashes from the pen of songwriters Burt Bacharach and Hal David; she would subsequently cover Bacharach/David classics including "Anyone Who Had a Heart" and "I Just Don't Know What to Do With Myself," surpassed only by Dionne Warwick as the finest interpreter of the duo's songs. Additionally charting with hits including "Stay Awhile" and "All Cried Out," by the end of 1964 Springfield was arguably the biggest solo act in British pop, winning the first of four consecutive Best Female Vocalist honors in NME; that same year, she also created a political furor after she was deported from South Africa for refusing to play in front of racially segregated audiences. Returning to England, in 1965 Springfield hosted the television special The Sound of Motown, a show widely credited with introducing the Sound of Young America to the their British counterparts, and continued racking up smashes like "Losing You," "Your Hurtin' Kinda Love," and "In the Middle of Nowhere"; in 1966, she scored her biggest international hit with the devastating ballad "You Don't Have to Say You Love Me," which topped the U.K. charts and reached the Top Five in the U.S. The soundalike "All I See Is You," another heart-wrenching evocation of unrequited love, soon reached the British Top Ten as well; it was followed, however, by the Bacharach/David-penned "The Look of Love," a bossa nova-inflected classic positively radiating with dreamlike sensuousness. By 1968, however, Springfield's commercial fortunes were on the decline -- in the wake of Sgt. Pepper and the Summer of Love, "girl singers" were now widely perceived as little more than fluff. This prompted Dusty to take a new direction. The resulting album, issued in early 1969 as Dusty in Memphis, remains her masterpiece, a perfect marriage of pop and soul stunning in its emotional complexity and earthy beauty. ~ Jason Ankeny, All Music Guide PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://tinyurl.com/Channel-Index

    Dusty+Sp ringfiel d+-+You+ Lost+The +Sweetes t+Boy++R eady+Ste ady+Go+- +1965+

  • The Who - Shout & Shimmy - Live - Ready Steady Go! - 1965

    Duration: 2:13 - FileType: mp3 - Bitrate: 192 Kbps


    The Who - Shout & Shimmy - Live - Ready Steady Go! - 1965

    The Who - Shout & Shimmy - Live - Ready Steady Go - 1965

    The+Who+-+Shout+&+Sh immy+-+Live+-+Ready+ Steady+Go!+-+1965

  • Lulu Shout (Ready Steady Go) original 1964 version

    Duration: 3:53 - FileType: mp3 - Bitrate: 192 Kbps


    Lulu Shout Ready Steady Go original 1964 version

    best version ever..

    Lulu+Shout++ Ready+Steady +Go++origina l+1964+versi on

  • The Searchers - "This Feeling Inside" - Ready Steady Go, 1964

    Duration: 2:58 - FileType: mp3 - Bitrate: 192 Kbps


    The Searchers - "This Feeling Inside" - Ready Steady Go, 1964

    The+Searchers+-+"This+Feeling+In side"+-+Ready+Steady+Go,+1964

  • Them - "Baby Please Don´t Go", - Ready Steady Go, 1964

    Duration: 3:56 - FileType: mp3 - Bitrate: 192 Kbps


    Them - "Baby Please Don´t Go", - Ready Steady Go, 1964

    Them+-++"Baby+Please +Don´t+Go",+-+Ready +Steady+Go,+1964

  • Paul Mc Cartney Ready Steady Go

    Duration: 3:49 - FileType: mp3 - Bitrate: 192 Kbps


    Paul Mc Cartney Ready Steady Go

    Paul Mc Cartney presente un "télé crochet "sur Let's Jump The Broomstick de Brenda Lee dans l'emmision Ready Steady Go

    Paul+Mc+Cartney+Ready+Steady +Go

  • The Four Pennies - "Juliet" - Ready Steady Go, 1964

    Duration: 2:23 - FileType: mp3 - Bitrate: 192 Kbps


    The Four Pennies - "Juliet" - Ready Steady Go, 1964

    The+Four+Pennies++-+"Juliet" +-++Ready+Steady+Go,+1964

  • Hydra - Ready Steady Go (L'Arc en Ciel cover) @ Jiyuu Matsuri UNJ 2017

    Duration: 5:24 - FileType: mp3 - Bitrate: 192 Kbps


    Hydra - Ready Steady Go L'Arc en Ciel cover @ Jiyuu Matsuri UNJ 2017

    Hydra+-+ Ready+St eady+Go+ +L'Arc+e n+Ciel+c over++@+ Jiyuu+Ma tsuri+UN J+2017

  • The Birthday - 2015.6.9 STUDIO LIVEダイジェスト映像

    Duration: 3:10 - FileType: mp3 - Bitrate: 192 Kbps


    The Birthday - 2015.6.9 STUDIO LIVEダイジェスト映像

    【BEST ALBUM「GOLD TRASH」、[完全生産限定豪華盤][初回限定盤]収録の“2015.6.9 STUDIO LIVE”のダイジェスト映像公開!】 The Birthday、結成10周年! アニバーサリーイヤーを記念するキャリア初のBESTアルバム、満を持してリリース! BESTアルバム「GOLD TRASH」2015.9.16 OUT!! □□□[完全生産限定豪華盤][初回限定盤]収録“2015.6.9 STUDIO LIVE”□□□ 2015年6月9日“ロックの日”に日活調布撮影所にて行われたスタジオライブの映像を全13曲・72分に渡り収録! USTREAMで中継され、大きな話題を呼んだ「涙がこぼれそう」「くそったれの世界」他のディレクターズカット版に加え、中継後、スタジオライブならではのスペシャルな演出で収録された「I KNOW」「なぜか今日は」「stupid」他、ライブ版ベストともいえるライブ映像。 ※[完全生産限定豪華盤]はBlu-ray、[初回限定盤]はDVDになります。 ・2015.6.9 STUDIO LIVE収録曲 WALTZ / COME TOGETHER / BABY YOU CAN / シルエット / I KNOW / stupid / なぜか今日は / READY STEADY GO くそったれの世界 / ダンス・ナンバー / NIGHT LINE / MOTHER /涙がこぼれそう □□□□□□□□□□□□ ■BEST ALBUM「GOLD TRASH」 完全生産限定豪華盤 2CD+Blu-ray(スタジオライブ映像+MV集) シリアルナンバー入り・LPサイズ布張りスペシャルBOX(100Pフォトブック付) ¥9,800+税 UMCK-9765 ※完全生産限定商品につき、生産数に限りがあります。 [2CD]ベスト盤 [Blu-ray] 完全生産限定豪華盤のみのコンプリート映像集!総収録時間3時間超! ①2015.6.9 スタジオライブ映像(全13曲・72分収録) ②コンプリートMusic Video集(全22曲収録) [パッケージ]超豪華永久保存盤BOX!100ページLPサイズフォトブック付き ①LPサイズ布張りスペシャルBOX ②LPサイズ・100ページフォトブック(10年間のライブ&オフショット+メンバー全機材写真集) ③シリアルナンバー入り ④LPサイズ・16ページ歌詞ブックレット(10年分のスケジュールをまとめたHISTORY入り) ■BEST ALBUM「GOLD TRASH」初回限定盤 2CD+DVD  デジパック仕様  ¥4,600+税 UMCK-9766 [2CD]ベスト盤 [DVD]2015.6.9 スタジオライブ映像 (全13曲・72分収録) ■BEST ALBUM「GOLD TRASH」通常盤 2CD  ¥3,200+税 UMCK-1519/20 ■LINK OFFICIAL WEBSITE http://www.rockin-blues.com/category/the-birthday UNIVERSAL MUSIC JAPAN http://www.universal-music.co.jp/the-birthday OFFICIAL Facebook https://www.facebook.com/pages/The-Birthday/576345765739978

    The+Birthday+-+2 015.6.9+STUDIO+L IVEダイジェ ト映像

  • Helen Shapiro & three Beatles. " Look Who It Is".Already, Steady, Go!!!

    Duration: 3:32 - FileType: mp3 - Bitrate: 192 Kbps


    Helen Shapiro & three Beatles. " Look Who It Is".Already, Steady, Go!!!

    Nice song... That's all folk.

    Helen+Shapiro+&+ three+Beatles.+" +Look+Who+It+Is" .Already,+Steady ,+Go!!!

  • Lulu - Shout (Ready Steady Go)

    Duration: 4:58 - FileType: mp3 - Bitrate: 192 Kbps


    Lulu - Shout Ready Steady Go

    Born in Glasgow in 1948, as a teenager she toured the northern clubs with her band the Luvvers. After her initial success with a cover of "Shout" reaching #7 in 1964, Lulu went on to establish herself as one of the biggest-selling British female singers of the 1960s. She made her film début in To Sir, with Love (1967) starring Sidney Poitier and performed the title song, which went to No. 1 in the US, but was only released as a B-side in the UK with the A-side, "Let's Pretend," making #11. She was one of four joint winners of the 1968 Eurovision Song Contest with "Boom Bang-a-Bang." In 1969, she married The Bee Gees' Maurice Gibb, and moved more into family entertainment, building on the success of her self-titled BBC television show. After her divorce, she collaborated with David Bowie on the song "The Man Who Sold the World," which reached #3 in the UK charts, and sang the title theme to the James Bond feature The Man with the Golden Gun (1974), both in 1974. After marriage to celebrity hairdresser John Frieda, with whom she had one son, Jordan, Lulu's career moved more into occasional adverts and pantomimes. The 1990s saw her divorce again, and in 1993, she released the hit album "Independence." Along with her brother, she also penned the song, "I Don't Wanna Fight," which was performed by Tina Turner on the soundtrack to What's Love Got to Do with It (1993), and aged 44, she finally topped the UK charts with British boyband Take That with a cover of "Relight My Fire." She went on to contribute to the soundtrack of the Tim Rice/Elton John musical "Aida" in 1999, front her own short-lived prime-time UK lottery show on BBC TV, "Red Alert with the National Lottery" (1999), and starred in the film Whatever Happened to Harold Smith? (1999). In 2002, she released an album of duets entitled "Together," featuring the likes of Paul McCartney, Elton John, Cliff Richard, Sting, and Ronan Keating, along with a best-selling autobiography. In 2003, she released her "Greatest Hits" album, which débuted at #35 in the UK charts. ~IMDb Mini Biography By: Glc19Gareth@netscape.net PLEASE NOTE: I divided my uploads among multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: http://john1948.wikifoundry.com/page/John1948%27s+Youtube+Index

    Lulu+-+Shout++Re ady+Steady+Go+

  • Dusty Springfield - Can I Get A Witness - 1965 (RSG)

    Duration: 3:56 - FileType: mp3 - Bitrate: 192 Kbps


    Dusty Springfield - Can I Get A Witness - 1965 RSG

    This is a non-profit account and is for entertainment purposes only. No copyright infringement intended. All rights respected and acknowledged.

    Dusty+Springfield+-+Can+I+Get+A+ Witness+-+1965++RSG+

  • April Cries

    Duration: 3:49 - FileType: mp3 - Bitrate: 192 Kbps


    April Cries

    Provided to YouTube by IDOL April Cries · Holiday Ready, Steady, Go! ℗ Holiday Released on: 1996-08-06 Auto-generated by YouTube.

    April+Cries

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